It’s time now for another interview, this time with Simon Michael. ‘The Lighterman’, the third book in the Charles Holborne series is being published in June of this year.
As you know I loved ‘The Brief’. For the benefit of my readers can you tell me a bit about ‘The Brief’ and the series as a whole?
I confess that as I have got further into the series (the third book is about to be published and the fourth is underway) I have understood both Charles Holborne, the conflicted antihero barrister, and what the books are about much better. The seeds were there, but apparently buried in my subconscious. I have realised that the series of thrillers is about a man who tries to stay true to his integrity and honour despite being surrounded by corruption. So, the Kray twins, the Richardson brothers and the Messina brothers are engaged in a war in which they fire-bomb, razor and intimidate for control of their criminal territories; the Metropolitan Police are institutionally corrupt, taking bribes, assisting the criminals, and beating confessions from innocent people; and the judiciary are institutionally biased. Charles Holborne is torn between, on the one hand, his East End, ex-boxer and ex-criminal roots, where he still has friends and family and, on the other, his love for the law, the institutions of justice and his own personal code of honour. In The Brief Charles is framed for the murder of his wife and has to decide: “Will I rely on the dysfunctional machinery of justice to prove my innocence, or will I break the law to avoid the hangman?” I often have in my mind’s eye when writing Michael Corleone from The Godfather: a war hero and an honest man, a man whose Mafia family desperately want to keep “clean”, being dragged back into crime for the love of his father.
Where did you get your ideas from for this series?
Several threads combined to produce the series. Firstly I am a Londoner, and only the first generation in 500 years not to live in the East End. Secondly, boxing features in my family history. From the 1920s onwards several of my forebears used the same East End gym as the Kray twins and one became a successful professional boxer. Thirdly, when I became a barrister in 1978, although things had begun to improve, there was still an enormous amount of corruption in the English criminal justice system. There was also huge anti-Semitism and class prejudice. I was the first barrister to join my Chambers who had not been to a public school, and I can guarantee I was the only one who worked as a council labourer every vacation to raise money to continue my education! It was quite a shock to find that the venerable institution of the Bar was so riven by prejudice. So I joined these threads together, and emphasised them by simply moving the events back in time to the 1960s. But the legal cases on which the plots are based, and the court documents included within the text of the books, are based on cases I actually worked on as a barrister.
How long did it take you to write ‘The Brief’ and ‘An Honest Man’?
This may surprise you, but the first draft of The Brief took less than three weeks. I had been thinking about the story for so long that it just burst out of me and I just had to get out of the way. An Honest Man took a little longer, but only a few months. Once I have the idea, I write very quickly. On a “bad day” I might write only 1500 words but on an averagely good day I will write 5000 words.
Being a barrister would have helped you a lot with these books obviously. Did you have to do any specific research and if so what did it entail?
I had to buy some old legal textbooks to check the legal procedure in the 1960s, but after 37 years at the Bar I had a pretty strong grounding and just had to make sure I wasn’t accidentally including 1970s material in a 1960s book. I have been pulled up by a couple of ex-coppers who pointed out that there were no Crown Courts until 1972 – and they are absolutely right! I am always very grateful to people who point out mistakes. One of the policemen has agreed to act as a beta reader in future, which is extremely kind of him. I’m still learning, and that’s the only way to improve. So far as the 1960s are concerned, I do a lot of research on the Internet but even then mistakes do creep in. Somebody pointed out that the Mary Quant hairstyle I refer to did not exist for another two years, and one fan said that the engine of the Rover P5, used in The Brief as the getaway car, was in fact a 3 L not a 3.5 L at that time!
Can you relate to any of your characters?
As you can see from my earlier answers, although these books are not autobiographical, Charles Holborne is based on me or, more accurately, on who I would have been had I been born a generation earlier. I think it is very difficult to be true to your ideals when you are surrounded, by friends and family – by your entire culture – at the bottom of the socio-economic pile and prepared to do anything to climb out.
Have you got any other writing projects on the go?
Believe it or not I wasn’t going to write this series at all and I didn’t consider myself a crime writer. I had an idea for a much “bigger” book but I thought The Brief and perhaps a sequel would just get me started as an author. Dip my toe in the water, so to speak. I didn’t realise there was an entire series here, and I really hadn’t expected the degree of success I’ve enjoyed. So now I seem to be pigeonholed as a crime writer and my agent says that if I do get round to writing the “big” book I will need to use a pseudonym.
Will you be doing any book signings when ‘The Lighterman’ is published?
Yes, as many as I can. It’s very difficult to achieve prominence in such a crowded market, and I am not good at social media. I like face-to-face interactions with people so book signings and talks are perfect.
I know there’s going to be a blog tour. What do you hope is achieved from it?
I hope people will start to notice the series. It’s an enormously crowded market, and there are hundreds of authors writing police procedurals and psychological thrillers. What I am writing is different, but so far as the publishers are concerned they fall within the same genre. To some extent that’s true – they are crime thrillers with a legal twist – but they are more than that. I am trying to write about real people with real homes, real lives, and I’m following one man’s personal journey. I don’t know anyone else who is writing 1960s thrillers involving an East End Jewish ex-boxer ex-criminal barrister on a moral journey.
How has social media helped you?
I’m not the right person to ask about this. I seem to have a relatively small band of devoted fans, many of whom have been reached initially by social media, but like I said I’m not good at it. I hate the self-promotion involved. It wasn’t the way I was brought up, and to shout about one’s achievements was frowned upon. Your achievements should speak for you. It’s a very English attitude, but in a market dominated by so-called “Amazon Bestsellers!!” if you don’t shout about yourself you won’t get noticed at all.
Can you tell me a bit about your career as a barrister please?
I was “called to the Bar” by the Honourable Society of the Middle Temple in 1978 and started doing what they call mixed common law cases. That is crime, matrimonial, landlord and tenant, contract, personal injury – everything. That’s not what happens nowadays where young entrants tend to specialise very early, which I think is a mistake. I was best at the crime because I identified with the underdog and loved working with juries. I suspect I should have been an actor like my children. Gradually my practice focused on crime and personal injury. I had to make a decision whether to continue doing the crime in the face of severe legal aid cuts when I had a young family and decided to move gradually into clinical negligence work. I developed a practice where I represented people who had suffered catastrophic injuries as a result of medical negligence and who needed very significant support and care. So, I prosecuted and defended in the Crown Courts, including the Old Bailey, for about 15 years before gradually giving it up for financial reasons. I still miss the buzz of the jury work, the camaraderie of the Bar Messes, prison visits and walking into the Old Bailey.
What made you decide to write?
I love telling stories. I always have, since I was a child. My ex-wife says that I “live inside my own head”, and there is some truth in that. When the writing is going well the world I’ve created in my head seems more real than the “real world”.
Who are your favourite authors?
In the field that I’m now working, Raymond Chandler, followed by Dashiell Hammett and John Mortimer. All three deal with crime and a hero who does his best to remain true to his principles, i.e. Philip Marlowe, Sam Spade and Horace Rumpole.
Otherwise, Charles Dickens and Shakespeare. Both see into the hearts and souls of their characters and recognise that all of us are a mixture of good and bad.
‘The Brief’ is available to buy from:-
Urbane Publications – http://urbanepublications.com/books/the-brief/
Amazon UK – https://www.amazon.co.uk/d/Books/Brief-gripping-crime-drama-swinging-Charles-Holborne/191069200X/ref=sr_1_1_twi_pap_2?s=books&ie=UTF8&qid=1489444677&sr=1-1&keywords=the+brief+by+simon+michael
‘An Honest Man’ is available to buy from:-
Urbane Publications – http://urbanepublications.com/books/an-honest-man/
‘The Lighterman’ can be pre-ordered from:-
Urbane Publications – http://urbanepublications.com/books/the-lighterman/
Website – www.simonmichael.uk
Facebook Page – https://www.facebook.com/simonmichael.uk/
Twitter – https://twitter.com/simonmichaeluk