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‘The Christie Affair’ by Nina de Gramont – @NinadeGramont @MantleBooks @midaspr #BlogTour #BookReview

‘The Christie Affair’ by Nina de Gramont was published by Mantle on the 20th January 2022 in hardback and is also available in eBook format and as an audiobook. To celebrate its release a massive blog tour has been organised by Midas PR and today it is my turn on the tour. I would like to thank Amber for my proof copy. Read on to find out more about this book followed by my thoughts on it.

Synopsis

In 1926, Agatha Christie disappeared for 11 days. Only I know the truth of her disappearance.
I’m no Hercule Poirot.
I’m her husband’s mistress.

Agatha Christie’s world is one of glamorous society parties, country house weekends, and growing literary fame.

Nan O’Dea’s world is something very different. Her attempts to escape a tough London upbringing during the Great War led to a life in Ireland marred by a hidden tragedy.

After fighting her way back to England, she’s set her sights on Agatha. Because Agatha Christie has something Nan wants. And it’s not just her husband.

Despite their differences, the two women will become the most unlikely of allies. And during the mysterious eleven days that Agatha goes missing, they will unravel a dark secret that only Nan holds the key to . . .

The Christie Affair is a stunning novel which reimagines the unexplained eleven-day disappearance of Agatha Christie in 1926 that captivated the world.

My Review

I thoroughly enjoyed ‘The Christie Affair’ from start to finish and I found myself getting totally engrossed in the story, so much so that I even looked up Agatha Christie and her disappearance on the internet.  Though this is fiction it is based on true events.  No one actually knows where Agatha Christie went when she disappeared for 11 days in 1926.  In this book her disappearance is reimagined.  Quite a task I would have thought for the author but one very well done.

I loved the style of writing and thought the author described everything so perfectly.  The chapters were set out a bit differently than what I am used to, but I was fine with that.  It was obvious that the author undertook a lot of research for ‘The Christie Affair’.  I really liked the cover of the book; it is just so beautiful.

The novel is split into three parts.  Nan O’Dea, Archie’s mistress, is the protagonist and she narrates the story.  The reader also gets to learn quite a lot about Nan herself and the hardships in life she has had to face.  My heart literally went out to her, and I could see why she did what she did.

This story touches on a number of subjects including love, loss, friendship, heartache, revenge, war and illness.

I highly recommend this book especially if you like books set in the 1920s.  You don’t necessarily have to be a fan of Agatha Christie.  Having read ‘The Christie Affair’ though I will definitely be exploring Agatha Christie’s books.  The problem is where do I start?

I really hope there is lots more to come from Nina de Gramont.

A superb read.

‘The Christie Affair’ is available from:-

Amazon UK / Waterstones / Wordery / hive.co.uk

About The Author

Nina de Gramont (also known as Marina Gessner) lives in coastal North Carolina with her husband, the writer David Gessner. She teaches at the University of North Carolina Wilmington and is almost always in the company of her two dogs, Missy and Isabelle. She’s the author of the acclaimed Meet Me at the River, Every Little Thing in the World, Gossip of the Starlings, The Last September, as well as The Distance from Me to You, which has recently been optioned for a movie.

Links

Website

Twitter

Goodreads

I hope you enjoyed my post. Do check out the rest of this blog tour.

Interview with Guy Fraser-Sampson

It’s a pleasure to have Guy Fraser-Sampson on my blog.  Having read and thoroughly enjoyed the first two books in the Hampstead Murders series, I was really happy when Guy agreed to be interviewed for this event.

 

I’ve really enjoyed the first two books in the Hampstead Murders series. For the benefit of my readers can you tell me a bit about your books please?

I’m glad you enjoyed the first two Hampstead Murders. They are intended more as a serial than a series, so it really is a great advantage to read them in the right order. The first, ‘Death in Profile’ describes the hunt for a serial killer. The second, ‘Miss Christie Regrets’ is partly about a cold case enquiry in which, it turns out, Agatha Christie may have been a key witness. The third, ‘A Whiff of Cyanide’, which features suspicious death at a convention of crime writers, is due out in June.

I am a great reader (up to about 200 books a year) but for a long time now I have found it difficult to read modern crime fiction as so much of it feels the same: either noir or cosy. So I deliberately set out to produce something “different”, and above all to write the sort of book I would like to read. Instead of a single central character there are various characters, who ebb and flow in prominence during the course of the series. Instead of a damaged character with drink, drugs or gambling problems these are likeable people about whom the reader will care “what happens next”. Instead of a bleak coastal location there is the sumptuously beautiful townscape of Hampstead.

The books have been described as quirky and intelligent. There are references, both overt and implied, to various Golden Age writers and detectives, most notably Lord Peter Wimsey. Without being in any way surreal, they do ask questions about the relationship between fiction and reality, as well as the role of synchronicity (extreme coincidence) in human affairs.

I have also given my characters real personal lives, with all the problems of love triangles, private tragedy, and police politics. The love triangle in particular is part of the “what happens next” syndrome!

 

Where did you get the idea for this series from?

Once I had decided (after an approach from a publisher I knew) to write a detective series it took me about two years to work out what sort of books they should be and to work out the plot of the first one. Initially I was strongly tempted to write period crime but ended up settling upon this exciting idea of combining a contemporary narrative with a Golden Age writing style, which I don’t think anyone else is doing. Adverbs, for example, seem to have gone entirely out of fashion!

Hampstead was always going to be part of the equation. I’m a strong believer in the importance of a sense of place within a novel. I don’t think it’s a coincidence, for example, that two of my favourite novels are ‘Midnight’s Children’ and ‘The Alexandria Quartet’. So I knew I wanted something that could play the role of Oxford for Morse or Hastings Old Town for Foyle, and Hampstead was the obvious candidate, partly because it’s so beautiful and partly because I knew it so well.

 

Did you have to do any research at all?

I’ve always done a huge amount of research for my books. The Hampstead Murders, along with my Mapp and Lucia novels, feature real life people and events and it’s very important to get these absolutely right: Dorothy L Sayers made the point that if a reader spots a factual mistake then it weakens their suspension of disbelief so far as the plot is concerned. For ‘Miss Christie Regrets’, for example, I did a lot of research into the history of the Lawn Road Flats (the Isokon Building). A lot of real life people feature – Jack Pritchard and Wells Coates for instance – though I did change the name of the Oxbridge don who was recruiting foreign agents there …

 

Would you like to see your books made into a TV series and if so who would you choose to play the main parts?

Yes, I’ve always seen the Hampstead Murders as a TV series, which is partly why I chose the temporal format which I did. People love to watch period drama but it’s very costly to make. This way the production company gets the best of both worlds. It’s contemporary drama, so they don’t have to worry about covering up TV aerials or filming at four in the morning, but with themes like vintage clothing embedded within it, so we can still get to admire people in elegant outfits.

As for casting, I’m afraid the poor old author gets no say whatsoever in this. Look at the recent ‘Mapp and Lucia’ series for a perfect example. When you sign over the screen rights you’re essentially selling your children into slavery. You just have to walk away and not look back.

 

Do you have a favourite place where you do your writing?

Year round I write in my study, which overlooks Spike Milligan’s grave in the graveyard of St Thomas’s church in Winchelsea. During the summer I do like to get out into the garden whenever I can. Ambience is very important to me. I have always found it difficult to do work of any description in unsympathetic surroundings.

 

How did you come to be published by Urbane Publications?

It’s no great secret that the Hampstead Murders were originally going to be published by somebody else, but they pulled out of issuing any new fiction titles just before we were due to go to print. Naturally at the time I was not very amused by this, but in fact things worked out pretty well.

I spent about a year trying to find a new publisher, and had some interesting responses. One described it as ‘a love letter to the detective novel’ but then perversely went on to give this as a reason for turning it down. Ironically, the very unique positioning which I had decided upon worked against it rather than in its favour. Nobody was prepared to take a risk on publishing something “different” despite the fact that my last three novels had all been optioned by BBC television.

Then I met (or rather re-met) Matthew at Urbane and everything fell into place. He had run Kogan Page when they published a book for me, and as soon as he read ‘Death in Profile’ he instantly “got it” about what I was trying to do, and has just been the ideal publisher. He’s very supportive, and encourages his writers to do what feels right for them.

 

You’ve also written a number of non-fiction books. Can you tell me a bit about them please?

I fear many of them would not appeal to the general reader as the early ones tended to be about finance and investment. The ones I would recommend are:

‘Cricket at the Crossroads’: telling the human story of what happened to the English Test side between 1967 and 1977.

‘The Mess We’re In’: a darkly humorous analysis of recent British economic history.

‘No Fear Finance’: de-mystifying finance for the general reader and explaining it in conceptual terms rather than getting bogged down in mathematics.

 

What’s your advice for anyone wanting to write a book?

Go into it with your eyes open. Be prepared for a great deal of rejection, criticism and disappointment. If you can’t handle this then please don’t try, because you will end up just making yourself very unhappy and possibly even ill. Honestly, I know personally some writers who have ended up with severe depression and other mental illnesses as a result of what being a writer has put them through.

The perception is that you get your book published (a hugely difficult thing to accomplish in the first place) and then wake up famous. Sadly, it doesn’t work like that. The hard work hasn’t ended, it has only just begun. Now you have the task of promoting your book, because generally speaking if you don’t, then nobody else will.

Something else that people don’t appreciate is that you risk losing a lot of friends as well. Writers are obsessed with their book: they have to be. Our friends are not: it’s just a peripheral thing at best. We, understandably, expect them to buy copies of our book for themselves and their friends and family, to praise it fulsomely to complete strangers, to attend our events, and post reviews of it online. They, equally understandably, don’t see things that way; it just doesn’t occur to them how important it is to us. Although, a quick tip for any writers’ friends out there: please don’t ever, under any circumstances, say to a writer “I’d love to read your book – can you give me a copy?”

 

Will you be doing more book signings?

I love doing book signings, particularly as part of book festivals, because it’s a wonderful opportunity to meet real life readers and get feedback about what they liked and (just as important) what they didn’t. In fact, I happen to believe that there is a lot of untapped potential out there for writers, readers, and booksellers to interact much more efficiently than they do at present.

Events I am particularly looking forward to are Deal Noir on 26 March, Southwold on 17/18 June, and a crime fiction evening at Heffer’s bookshop in Cambridge on 6 July. For lovers of my Mapp and Lucia books, I will be part of the Rye Festival in September. I mention these because they are open to the general public. I’m also doing various private functions including speaking to various London clubs as well as the Womens’ Institute.

Readers are welcome to contact me at any time to investigate a mutually convenient event. Ditto anyone who would like to organise something.

 

How have book bloggers helped you

Oh my word, massively. The big publishers have a very cosy arrangement with the traditional national media which means indie authors can’t get reviewed there no matter how good they may be. So social media such as book blogs are our life blood, our only real route to a wider readership.

The really great thing about book bloggers is that they are serious readers so their opinions really matter. Getting a recommendation from a book blogger always gives me a real buzz, particularly when they say something that makes me realise that they have absolutely understood exactly what I was trying to achieve.

 

Facebook or Twitter?

I disagree with various writers about Facebook. I think you have to be really careful not to push your books on it too frequently. For me, one mention every couple of days is plenty, although I don’t think anyone minds you posting about events, whether before, during or after. I think people will find anything more than that intrusive, and you risk them unfollowing you.

Twitter is different and I use it a lot, sending tweets to targeted users who have shown an interest in, say, Golden Age detective fiction (or Hampstead!).

So, Twitter for me, although a lady called Laura Stone (@minxlaura123) has recently got me thinking about video blogs. She recently reviewed ‘Miss Christie Regrets’ on a live video feed and had several thousand hits.

 

Wine or Champagne?

Wine, please, and lots of it – preferably new world reds. I have no intention of dying sober.

 

Links

‘Death in Profile’ is available from:-

Urbane Publications – http://urbanepublications.com/books/death-in-profile/

Amazon UK – http://www.amazon.co.uk/Death-Profile-Hampstead-Murders-no1/dp/191069293X/ref=sr_1_1?s=books&ie=UTF8&qid=1458486555&sr=1-1&keywords=death+in+profile

‘Miss Christie Regrets’ is available from:-

Urbane Publications – http://urbanepublications.com/books/miss-christie-regrets/

Amazon UK – https://www.amazon.co.uk/d/Books/Miss-Christie-Regrets-Guy-Fraser-Sampson/1911331809/ref=sr_1_1?s=books&ie=UTF8&qid=1484164698&sr=1-1&keywords=miss+christie+regrets

‘A Whiff of Cyanide’ can be pre-ordered from:-

Amazon UK – https://www.amazon.co.uk/Whiff-Cyanide-Book-Hampstead-Murders/dp/1911129767/ref=sr_1_1?s=books&ie=UTF8&qid=1489860093&sr=1-1&keywords=a+whiff+of+cyanide

 

‘Miss Christie Regrets’ by Guy Fraser-Sampson

miss-christie-regrets
Congratulations to Guy Fraser-Sampson whose new novel, ‘Miss Christie Regrets’, the second in the Hampstead Murders series is out today. Agatha Christie herself plays a key part in this book so it’s really nice that it has been published on her death anniversary. Makes it kind of special don’t you think. I would like to thank Matthew Smith of Urbane Publications for sending me a proof copy to review.

The story itself opens with a death at an iconic local venue, certainly not something you would expect on a day out. A police investigation commences and it seems that there could be a connection with an unsolved murder featuring Cold War betrayals. But is it just pure coincidence or is there more than meets the eye? It soon emerges that none other than Agatha Christie herself may be the key witness who is able to provide the missing link.

I really enjoyed ‘Death in Profile’, the first book in the series and was looking forward to reading ‘Miss Christie Regrets’. I like Guy Fraser-Sampson’s style of writing. He has such a wonderful and elegant way with words.

You should definitely read ‘Death in Profile’ first in order to get the full benefit of this book as a couple of the storylines are ongoing. It was really nice meeting some of the characters from the previous novel again. I was just dying to know how things were going to develop for DS Karen Willis.

Just as with the first book I enjoyed reading about the police procedurals and I actually felt as if I learnt something. I think it’s ironic that Agatha Christie who wrote all those detective novels should now be mentioned in another author’s book. I mean what a brilliant idea! I reckon that she would have been quite touched with being mentioned in ‘Miss Christie Regrets’.

‘Miss Christie Regrets’ is a classic whodunit, Golden Age crime fiction at its best. It is perfect for people who like reading cosy crime. I actually think that the Hampstead Murders novels would make a really good TV series and I hope it is considered.

The third book in the series, ‘A Whiff of Cyanide’ is due to be published this summer and I eagerly await it.

I give this book 4 out of 5.

 

‘Miss Christie Regrets’ is available to buy from:-

Urbane Publications – http://urbanepublications.com/books/miss-christie-regrets/

Amazon UK – https://www.amazon.co.uk/d/Books/Miss-Christie-Regrets-Guy-Fraser-Sampson/1911331809/ref=sr_1_1?s=books&ie=UTF8&qid=1484164698&sr=1-1&keywords=miss+christie+regrets

 

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