‘The Family’ by P. R. Black was published in paperback and as an eBook on the 2nd May 2019 by Aria Fiction. I am thrilled to be taking part in this blog tour and have got a guest post from the author for you. First though, here’s what the book is about.
The best way to catch a killer? Offer yourself as bait.
Becky Morgan’s family were the victims of the ‘crimes of the decade’.
The lone survivor of a ritualistic killing, Becky’s been forever haunted by the memories of that night.
Twenty years later, with the killer never found, Becky is ready to hunt them down and exact revenge. But the path to find the murderer is a slippery slope and she finds herself opening up some old wounds that should have been left sealed.
Will Becky avenge her family or join them?
Rooting For The Bad Guy
By Pat Black
The villain in The Family is not only a vicious killer, but a cruel manipulator. I think these two qualities – if we can call them that – go hand-in-hand.
Although the person behind the mask isn’t based on any real-life murderers, it stands to reason that someone who takes pleasure in ending lives would also enjoy causing chaos in a more general sense.
That craven, furtive glee in pulling the strings from behind a curtain… It’s a bit like being an author.
So let’s take a look at some other famous manipulators in the history of fiction. Be warned – this is a treacherous journey. There may be blood…
Hannibal Lecter is a gourmand first of all, and then a cannibal. But even if we leave aside all the murders, he is still a nasty piece of work.
Deprived of the opportunity to turn people into flans, the imprisoned Lecter is reduced to getting his jollies by pressing people’s buttons from behind his cell door. Remind you of any unpleasant people you’ve encountered on the internet? That’s right, all of them.
Lecter first appeared in Thomas Harris’s Red Dragon, where he plays the man who caught him for a complete fool after the FBI agent seeks some advice on how to catch another killer, known as the Tooth Fairy.
Its sequel, The Silence Of The Lambs, focuses on the search for another murderer known as Buffalo Bill. But it’s also about how Lecter manipulates events in order to engineer his escape from custody. He succeeds – but not before his eye is caught by Clarice Starling.
Lecter notes the FBI trainee’s qualities and relishes the contact between them. There’s a creepy hint that the killer’s admiration for Starling may be more than just cerebral. This subtle, memorably queasy idea was spoiled by Hannibal’s bonkers finale. That second sequel to Red Dragon was brilliant, but is perhaps best appreciated if you take it as the comedy Thomas Harris surely intended it to be.
Like Lecter and Starling, my heroine, Becky Morgan, has a dialogue with the villain in The Family. Except, my killer is all the more dangerous, being already on the loose when Becky makes contact for the first time since the day her family was slaughtered…
I’d struggle to name anyone in all of literature so memorably wicked as Mrs Danvers. She never spills a drop of blood, but has an ocean of poison within her.
The housekeeper at Manderley in Daphne du Maurier’s Rebecca is ostensibly a servant of the new Mrs de Winter – but she’s in charge, all right.
She has a weird, unknowable obsession with “my lady”: Rebecca de Winter, the previous mistress of the house, who died in murky circumstances. Rebecca’s narrator is an ingénue whose naivety is embarrassing to other ingénues. She simply can’t match up to her wild, bewitching predecessor. And Mrs Danvers won’t let her forget it.
The grim housekeeper’s manipulation of our heroine verges on diabolical. Her prodding and goading is beyond Iago, beyond anyone. This is most apparent when Danvers makes a phone call to Rebecca’s former chamber, preserved like the Tomb of Tutankhamun, asking for “Mrs de Winter”. This causes both narrator and reader to make the same cringe-worthy mistake when the current lady of the house is caught unawares.
Then there’s the choice of costume for the grand ball… you almost want to cover your eyes. As you sit there, reading a book.
Worst of all is Mrs Danvers’ gently mesmeric entreaty to Mrs de Winter to just step out of one of Manderley’s high windows as the fog rolls in off the sea… She makes it sound like the most reasonable idea in the world.
She is unforgettable. And I could not get enough of her. Any author who can imbue their villain with even a fraction of Mrs Danvers’ malice will have done very well indeed.
3. Monte Cristo
“But he’s the hero, isn’t he? The wronged avenger. The Count of Monte Cristo is no villain!”
Except… he is. In considering Alexandre Dumas’ work, we probably think of the Musketeers first. They are four very different characters, but all very noble. Their swords might be keen, but they have justice and virtue on their side. Thanks to some memorable movie adaptations, some might think of The Count of Monte Cristo in the same light – an adventure novel, with loads of swashbuckling and romance.
The book has some exciting scenes and intrigue, but it has a very dark heart. And there are none darker than that of the mysterious man in the title.
Its plot can be summed up by some philosophical questions: When pursuing revenge, is it the same as justice? In moral terms, does the price paid measure up to the satisfaction gained?
Sure, the young, guileless Edmond Dantes is a wronged man. His future is stolen from him after a conspiracy by men who rival him in matters of commerce, politics and the heart – their motivations being greed, expediency and jealousy.
And then there’s the tailor… he’s just a bit of an idiot. There’s an old saying about confusing malice with stupidity.
But the guy who swims out of a body bag from the Chateau d’If is very different to the 20-year-old who was first locked up there, many years before. And the man who appears in Paris later, rich as Croesus, may in fact be Edmond Dantes’ polar opposite.
The Count of Monte Cristo appears as a guardian angel at first, saving the lives of his enemies’ loved ones, and even stepping in to save them from ruin with his inexhaustible wealth. But this is only done in order to weasel his way into their trust, and even their affections. It’s all part of a long, clever game.
Monte Cristo has a plan, and he will not be swayed from it, no matter who gets trampled on or what he destroys in the process. That includes the heart of the one he truly loves.
The man’s grievance is understandable. But after a while we ask the same questions as his loyal manservant: “You’ve suffered – but now you have everything you could ever want out of life… Why are you still doing this? Is it honourable?”
The truth is: Monte Cristo has become the villain. Instead of dragging injustice into the light, he operates in the shadows, and engineers awful fates. He is devious and dishonest; he is malevolent; his plan ensnares the innocent as much as the guilty.
Is he evil? Many people think so when he makes his first appearance in high society. His saturnine good looks get the fans flapping double-time when he makes his bow at the opera. A somewhat diabolical appearance and the fact that he only ever appears after dark, and never seems to eat or drink, sees him compared to Byron – and by extension, to a vampire.
We are left in no doubt that our hero is a deeply flawed, morally ambiguous figure. And his wrongs cannot be righted by something as crude as a sword thrust. To paraphrase Bane in The Dark Knight Rises: the conspirators’ punishment must be more severe. The kind delivered with a smirk, not a snarl.
Becky Morgan is an avenging angel in The Family, and her quest to catch the person who committed that terrible crime is a long time in the planning. But in seeking revenge, what price is she prepared to pay?
About P. R. Black
Author and journalist PR Black lives in Yorkshire, although he was born and brought up in Glasgow. When he’s not driving his wife and two children to distraction with all the typing, he enjoys hillwalking, fresh air and the natural world, and can often be found asking the way to the nearest pub in the Lake District. His short stories have been published in several books including the Daily Telegraph’s Ghost Stories and the Northern Crime One anthology. His Glasgow detective, Inspector Lomond, is appearing in Ellery Queen’s Mystery Magazine. He took the runner-up spot in the 2014 Bloody Scotland crime-writing competition with “Ghostie Men”. His work has also been performed on stage in London by Liars’ League. He has also been shortlisted for the Red Cross International Prize, the William Hazlitt essay prize and the Bridport Prize.
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