I am absolutely delighted to have the lovely Sharon Booth on my blog today. Sharon’s new novel, ‘Saving Mr Scrooge’, the second book in the Moorland Heroes series, was published as an eBook on the 14th November 2017 by Fabrian Books. Sharon has written a wonderful Christmas guest post which I hope you all enjoy.
Christmas. Just saying that word makes you feel all cosy and warm inside. What do we associate with Christmas? Off the top of my head, I would say, family, snow, Christmas trees, turkey, Christmas pudding, Christmas carols, holly, mistletoe, gifts, church, the Nativity, love, forgiveness, redemption, hope …
Some people, perhaps going through darker times, would associate the word with loss, with grief, loneliness, poverty, deprivation, with feeling excluded from the jollity that others seem to be enjoying, with greed and consumerism.
And some, refusing to accept any negativity around the Big Day, would label those people who are less enthusiastic as “Miserable”, “Miserly”, “Scrooge-like”.
All of these things are referred to — or stem from — Charles Dickens’ masterpiece, A Christmas Carol. Think about it. The Christmas we know and love, is so associated with the story of Ebenezer Scrooge, that the typical Christmas scene we often see on Christmas cards and decorations, is referred to as “Dickensian”. Charles Dickens, who – unbelievably – completed his novel within the space of six weeks, could never have imagined that his name and his characters would come to embody everything we imagine Christmas to be.
With the December release of the film, The Man Who Invented Christmas — the story of those six weeks and how Charles Dickens came to create such an extraordinary piece of fiction — I decided to look back at how Christmas was celebrated before the publication of A Christmas Carol. What I discovered was that, generally, it wasn’t celebrated very much at all. Although once marked with much gaiety and joy, it became associated with Pagan festivals and fell out of favour during Puritan times. After the Restoration, Christmas was once again celebrated, but it never meant as much in the Christian calendar as did Easter, or even Boxing Day. At the beginning of Queen Victoria’s reign, Christmas was barely recognised as a holiday. By the end, it was the most celebrated day of the year, and many of the traditions we hold dear today were forever embedded in the nation’s consciousness.
Although Dickens didn’t exactly invent Christmas, he was certainly responsible for pushing it to the forefront of people’s minds, and fixing in our imaginations what the “perfect” Christmas should be like. Yet, A Christmas Carol started life in his imagination as a plea for better treatment of the thousands of child labourers, forced into terrible working conditions. Dickens wanted to do something about their plight. He wanted to stir up support for improvements. He wanted to open people’s eyes to the injustices that were happening in the factories and mills. He wanted to shame the businessmen and manufacturers, and force change to happen for the good. Eventually, he came to realise that lecturing the privileged classes wouldn’t be so effective as appealing to them in the form of a story. And so, A Christmas Carol was born, with its focus on a wealthy miser who — from his position of strength, power and wealth — could no longer see the depths to which the poor were suffering.
Dickens used the plight of one family in particular, the Cratchitts, and the uncertain fate of the frail child, Tim, to prick at his readers’ consciences. His use of the spirit world appealed to a Victorian society that was in the grip of a fascination for the occult. He passionately wanted to educate people to the truth of what was happening in the workplaces and slums of Britain. He believed the ignorance of the middle and upper classes to the suffering of the poor was a grave danger:
“This boy is Ignorance. This girl is Want. Beware them both, and all of their degree, but most of all beware this boy, for on his brow I see that written which is Doom, unless the writing be erased.”
In A Christmas Carol, the traditions we know and love today are drawn so beautifully — the snow, the plump turkey in the shop window, the Christmas dinner with its plum pudding, the giving of gifts. But, more importantly, the story of Scrooge and his redemption reminds us that, at Christmas, there are still people who suffer, still people who are ill, lonely, poverty-stricken, and that we need to remember those people, find room in our hearts for them, and open our eyes to the injustices in the world. It also leaves us with a sense of hope, that change is possible. That we can learn from the lessons of the past. That we can find love again. That we can truly know what the spirit of Christmas means.
When I wanted to write a Christmas novel which was all about second chances, redemption, and forgiveness, I knew there was no better model to look to than A Christmas Carol. Throw in a place of work where the employees appear to be suffering under their apparently uncaring boss, Kit, and a “ghost” from Kit’s past, called Marley, who is determined to save him, and I had the beginnings of my own small tribute to this wonderful story. Of course, there is a twist to the tale, and things may not be as they appear on the surface … I loved writing Saving Mr Scrooge, and I hope people enjoy reading it.
My own Christmas traditions include watching another tale of hope, love and redemption, It’s A Wonderful Life, on Christmas Eve every year, and reading A Christmas Carol during Christmas week. We can’t guarantee the snow, but I’m lucky enough to be having a Christmas tree, good food, and presents, wrapped up in the love of my family. I’m looking forward to a very Dickensian Christmas!
It’s the time of peace on earth and goodwill to all men, but at Carroll’s Confectionary, the meaning of Christmas seems to have been forgotten. New boss, Kit Carroll, is hardly winning friends with his high-handed attitude, his foolhardy approach to production, and his tight-fisted treatment of the factory’s employees.
Marley Jacobs, his self-styled PA, is determined to make him see the error of his ways, and return the festive spirit to Carroll’s Confectionary.
Unfortunately, the little matter of their previous relationship, along with Kit’s callous treatment of her when they were teenage sweethearts, keeps getting in the way of her good intentions.
With encouragement from co-worker Don, romantic sister Olivia, and — astonishingly — the usually sceptical Great Uncle Charles, Marley decides to save this modern-day Mr Scrooge from himself, despite having no well-meaning ghosts to help her.
But revisiting the past doesn’t just stir things up for Kit. As Marley struggles to deal with bittersweet memories, present-day events take a surprising turn. Can the future be changed, after all?
And is it only Kit who needs saving?
‘Saving Mr Scrooge’ can be bought at smarturl.it/savingmrscrooge
About Sharon Booth
Sharon wrote her first book when she was ten. It was about a boarding school that specialised in ballet, and, given that she’d never been to boarding school and hadn’t a clue about ballet, it’s probably a good thing that no copy of this masterpiece survives. She is the author of nine novels, and has also written for The People’s Friend. Sharon lives in East Yorkshire, with her husband and their dog. She is one tenth of The Write Romantics, and a member of the Romantic Novelists’ Association. She has a love/hate relationship with chocolate, is a devoted Whovian, and prone to all-consuming crushes on fictional heroes. Find out more about Sharon at www.sharonboothwriter.com
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Amazon Author Pages:-
UK – http://bit.ly/sharonboothpageUK
US – http://bit.ly/sharonboothpageUS